Saturday, November 26, 2011
The Soccer War by Ryszard Kapuscinski
In November 1965 Ryszard Kapuscinski drove through five countries four of which were in a state of emergency. He had been checked 21 times and undergone four body searches, tension and gunpowder were everywhere.
The Soccer War begins with the appointment of Ryszard Kapuscinski as African correspondent of the Polish Press Agency. His arrival on the continent coincides with the birth of Africa after years of colonial domination. Kapuscinski in his own words says that he was not interested in reporting on crocodiles or head hunters, witch doctors or wild animal reserves.
Throughout "The Soccer War" we observe Kapuscinski as he engages with the people of Africa. He encounters political leaders, party apparatchiks, soldiers, local head men. Throughout it becomes apparent that Kapuscinski has a tremendous affinity for the people he meets. He sleeps in their cabins, he eats their food, he travels with them and talks to them by their campfires.
But his travels are not without hazards. He is imprisoned in Rwanda by Belgian paramilitaries and only regains his liberty thanks to a chance encounter with a Congolese pilot. While driving through Nigeria he his stopped at a road block, beaten and forced to hand over money. At the next roadblock he is stopped, covered in benzene and the remainder of his money taken. He smashes through the third roadblock much to the consternation of those guarding it.
The style in which Kapuscinski writes has been called magical journalism. His journeys and encounters read as if they were works of fictions, all of them however are true.
The Soccer War is not without irony. In 1969 he was in Honduras to cover the short lived which took place between that country and El Salvador. The war lasted 100 hours and would cost the lives of 6,000 people. He travels with a Honduran conscript through the jungle observing the war going on about him. At one point Kapuscinski and his travelling companion shelter in a small village plastered together from clay and straw. They encounter an infantry battalion and join their commander as he listens to the news on the radio. Reports contain the comings and goings at the front and the various efforts from world governments to end the conflict. The next report contains the news that the Apollo 11 rocket, with astronauts, Armstrong, Aldrin and Collins had been launched from Cape Kennedy.
Early in his wanderings Kapuscinski is asked why he was travelling.
He replies, "To look, to walk around, to ask, to listen, to sniff, to think, to write."
Labels: The Soccer War by Ryszard Kapuscinski. A review.
Saturday, November 12, 2011
Alice Neel: Family. Douglas Hyde Gallery, Dublin
Born in Pennsylvania in 1900 Alice Neel studied art at night while working in the civil service. After three years of night school she enrolled full time in the Philadelphia School of Design for Women.
Alice Neel endured many personal and economic hardships throughout her life. In 1931 following the breakup of her marriage, Neel suffered a nervous breakdown and after an attempted suicide spent a year in Philadelphia General Hospital. She returned once more to New York where she painted many of the artists, writers and political activists of the Communist Party with whom she associated.
Neel continually eschewed the avant-garde and concentrated instead on developing her own figurative style. As a result during the 1940’s and 50’s her work virtually disappeared from mainstream galleries. It was only in the 1960’s that Neel’s work began to gain notice thanks mostly to her work for the Women’s Movement.
Throughout her career Alice Neel’s subjects included friends, neighbours and immediate family. Neel’s realistic style is said to reflect the hardships of life and the reality of American urban living.
An exhibition of her work entitled Alice Neel: Family is showing in the Douglas Hyde Gallery in Dublin until November 16th.
My Mother
Nancy and the twins
Hartley
Alice Neel endured many personal and economic hardships throughout her life. In 1931 following the breakup of her marriage, Neel suffered a nervous breakdown and after an attempted suicide spent a year in Philadelphia General Hospital. She returned once more to New York where she painted many of the artists, writers and political activists of the Communist Party with whom she associated.
Neel continually eschewed the avant-garde and concentrated instead on developing her own figurative style. As a result during the 1940’s and 50’s her work virtually disappeared from mainstream galleries. It was only in the 1960’s that Neel’s work began to gain notice thanks mostly to her work for the Women’s Movement.
Throughout her career Alice Neel’s subjects included friends, neighbours and immediate family. Neel’s realistic style is said to reflect the hardships of life and the reality of American urban living.
An exhibition of her work entitled Alice Neel: Family is showing in the Douglas Hyde Gallery in Dublin until November 16th.
My Mother
Nancy and the twins
HartleyLabels: Alice Neel
